The Art of Rachel Whiteread
An appraisal of the full range of work by one of the most significant British artists of the past fifty years. Based upon a practice of inverted castingmaking space tangibleRachel Whitereads work offers both intimate and public meditations on vital questions of history, memory, and social change. But these are also artworks with profound and carefully weighed formal concerns and an affiliation with the critical issues of sculpture raised throughout the twentieth century. Whitereads work is, perhaps, provoking because it so successfully melds artistic and historical issues, restoring to public attention neglected issues that more dominant interests would wish forgotten. Out of the solidification of space Whiteread creates an archive that compacts and makes legible those intangibles that comprise so much of ordinary life. This collection of essays by leading authorities on contemporary art examines Whitereads work from her earliest domestic objects of the late 1980s through controversial projects such as House to her recent, largescale public works, including Water Tower in New York, Monument in Londons Trafalgar Square, and Holocaust Memorial in Vienna. The book includes discussions of both Room 101, her cast of George Orwells room at the BBC, and recent gallery installations. Whitereads work is appraised both in terms of its relationship to art history and its social and political impact, and examined for theoretical approaches through which we may better understand this most complex and challenging of contemporary artists. 60 illustrations. With contributions by: Angela Dimitrikaki, Jennifer Gross, Shelley Hornstein, Susan Lawson, Pamela M. Lee, Melanie Marino, Blake Stimson, James Young.
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Description
An appraisal of the full range of work by one of the most significant British artists of the past fifty years. Based upon a practice of inverted castingmaking space tangibleRachel Whitereads work offers both intimate and public meditations on vital questions of history, memory, and social change. But these are also artworks with profound and carefully weighed formal concerns and an affiliation with the critical issues of sculpture raised throughout the twentieth century. Whitereads work is, perhaps, provoking because it so successfully melds artistic and historical issues, restoring to public attention neglected issues that more dominant interests would wish forgotten. Out of the solidification of space Whiteread creates an archive that compacts and makes legible those intangibles that comprise so much of ordinary life. This collection of essays by leading authorities on contemporary art examines Whitereads work from her earliest domestic objects of the late 1980s through controversial projects such as House to her recent, largescale public works, including Water Tower in New York, Monument in Londons Trafalgar Square, and Holocaust Memorial in Vienna. The book includes discussions of both Room 101, her cast of George Orwells room at the BBC, and recent gallery installations. Whitereads work is appraised both in terms of its relationship to art history and its social and political impact, and examined for theoretical approaches through which we may better understand this most complex and challenging of contemporary artists. 60 illustrations. With contributions by: Angela Dimitrikaki, Jennifer Gross, Shelley Hornstein, Susan Lawson, Pamela M. Lee, Melanie Marino, Blake Stimson, James Young.
